Around the landscape

  • INSIDE LANDSCAPE

    Set consisting of 24 canvases, total length 27m x 2.30m.

    India ink, charcoal, pencils, acrylic paint, dry pastels, cotton thread, wire, on felt. 2012-2014

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  • GRAPHITERRE

    Landscapes are made up of graphic elements.

    and signs that intertwine.

    India ink, charcoal, pastels and sometimes acrylic on canvas supports with occasional additions of Japanese paper.

    2007-2011

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  • RED SERIES

    After each series that required a long period of preparation, I feel the need for a quick execution, a spontaneous and unrepeatable movement.

    I then used large sheets of Japanese paper, few colors, mainly red, and a lot of ink. Then I continued this series on canvas at a slower pace.

    2021

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Nadine Kohn-Fiszel
Artiste plasticienne

INTERIOR LANDSCAPES

Around the Landscape Collection — 2012 Series

  • METEORS & NEBULAE

    This theme has been with me for a long time.

    India ink predominates, accompanied by charcoal, acrylic and pastel.

    2009-2010

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  • TSUNAMI

    Landscapes sometimes interspersed with wide median bands where time seems to have stopped and the landscape diluted.

    We search for our way through the twists and turns of these scarred landscapes.

    Work on canvas or on mounted Japanese paper.

    2006-2007

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  • FLOWERS AND SEEDLINGS

    In this series, the exaggerated forms of meteors and nebulae are transformed into a vegetal universe.

    On canvas, Japanese paper or non-woven fabric.

    India ink, acrylic and pastel.

    2008-2010

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  • FOLLOWING SERIES

    Sagour means closed in Hebrew.

    During COVID I was in Tel Aviv. Little material was available except for India ink in various shades and an old wooden board found on the roof which was beginning its slow decomposition and to which I gave a new life.

    2020-2021

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To detach oneself from the landscape after having internalized it

to make it spring forth more easily,

on canvas or mounted paper,

using dry and oil pastels, ink and sometimes acrylic.

Take advantage of the light to amplify the nuances of the sky, the sea and the vegetation.


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