Two major exhibitions took place in 2012, in Beijing and then in Guangzhou.

Both exhibitions included around thirty paintings from the Schmates series and a monumental 25m installation, specially created for the Croisements Festival,

Punctuation marks, and more specifically the question mark and the parenthesis, were the guiding motifs.

These signs common to both languages and the sound Ma, which indicates the interrogative form in Chinese, are the starting point for a reflection on our questions.

In the fall of 2022, the AVM gallery (Paris 18) presents an exhibition "The adornment and the imprint", a look at the works of Nadine Kohn-Fiszel.

Nadine Kohn-Fiszel recreates the imprint, everything takes its place in our world, to challenge us, everything in this rediscovered intimacy is destined for rebirth.

The pieces of zinc that make up the barricades all come from my roof.

When I set up my workshop more than twenty years ago, they were dismantled and stored in the storeroom.

For the Croisement exhibition in China, I chose them for an installation on punctuation marks.

During COVID, I had no equipment available at home to work with.

I then used my own X-rays, household products, and everyday instruments.

I knew that the original material, the X-rays, would disappear, replaced by CDs.

Then I managed to obtain other x-rays and my dialogue with the trace and disappearance of the bodies was able to be re-established.