Signs and letters

  • Wood & iron

    1981-1987

    Paper is combined with iron and wood. Plaster sometimes reinforces the masses, which must nevertheless not prevent light from passing through and playing on the surfaces.

    Drawings, mainly in pencil and ink.

    See

  • Zinc

    For this series, I mainly used pieces of zinc that were part of the "Ma River" installation, back in my studio.

    These pieces, reworked sculpturally and/or pictorially and of different sizes, together form a kind of barricade.

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  • Deliberately

    1996-1998

    Drawings made on the same thick Lanaquarelle paper of the same format, 55 x 76 cm.

    India ink, pencil and charcoal, some collages.

    In this numbered series, the drawings respond to each other and the square shapes open up to ovoid shapes, then close and gradually disappear.

    See

Nadine Kohn-Fiszel
Artiste plasticienne

REFLECTION AND TRANSPARENCY

Signs and Letters Collection — 1981 Series


Research on interior light

specific to each work,

but also on creation, through hollowing out and games of reflection,

of light and its passages

on materials that are more or less transparent.


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