For this series, I mainly used pieces of zinc that were part of the "Ma River" installation, back in my studio.

These pieces, reworked sculpturally, or pictorially and of different sizes, form a kind of barricade when placed side by side.

1996-1998

Drawings made on the same thick Lanaquarelle paper of the same format, 55 x 76 cm.

India ink, pencil and charcoal, some collages.

In this numbered series, the drawings echo each other, and the square shapes open up into ovoid forms.

then they close and gradually disappear.

1981-1987

Paper is mixed with iron and wood.

Plaster sometimes reinforces masses which must however not prevent light from passing through and playing on the surfaces.

Drawings, mainly in pencil and ink.

Research focuses on the unique inner light of each artwork, but also on the creation of light and its passages through hollowing and plays of reflection.

on materials that are more or less transparent.