Around the landscape

  • INTERIOR LANDSCAPES

    To detach oneself from the landscape after having internalized it, in order to better make it spring forth, on the canvas or on mounted papers, with profusion and thanks to colored, dry and oil pastels.

    Take advantage of Tel Aviv's intense light to amplify the nuances of the sky, the sea, and the vegetation.

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  • INSIDE LANDSCAPE

    2012-2014

    Set consisting of 24 panels

    20 panels of 0.93 m by 2.30 m, 4 panels of 1.50 m by 2.30 m.

    India ink, charcoal, pencils, acrylic, dry pastels, threads, wire, on felt.

    Total length of the whole: 27 m by 2.30 m.

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  • GRAPHITERRE

    Graphiterre is a series that originated in 2007, shortly after the Tsunami series.

    The paintings are made up of interwoven graphic elements and writings that form interior landscapes.

    The mediums used are primarily India ink, charcoal, and pastels, sometimes with acrylic paint. The supports are mainly canvas, sometimes with collages of Japanese paper or cardboard.

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Nadine Kohn-Fiszel
Artiste plasticienne

RED SERIES

Around the Landscape Collection — 2009 Series

  • METEORS & NEBULAE

    2009-20010

    This theme has been with me for a long time.

    The large, isolated canvases of recent years in ink, charcoal and acrylic have succeeded the large series of drawings, on various papers, large format cardboards or on small and medium format canvases, mainly in ink, pencil and pastel . . .

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  • TSUNAMI

    2006-2007

    The landscapes fade away and often bands delimit a time of before, of the moment and of after.

    Work on canvases, with the addition of collages on some, homogeneous formats 116 x 89 or 150 x 97

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  • FLOWERS AND SEEDLINGS

    It also began after the Tsunami series in 2008.

    A bursting of forms that draws them into the plant world.

    Work on canvas with or without collage and on non-woven fabric. India ink, acrylic and pastel.

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  • FOLLOWING SERIES

    "Seguer. Sagour means closed in Hebrew.

    During COVID I was in Tel Aviv. There was little equipment and material available there apart from India ink in several shades.

    On the roof of the building, an old wooden plank was beginning its slow decomposition.

    I gave it another life."

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"These are landscapes created with a great desire for rapid gestures.

This is what I force myself to do after each series, or I work for several months on each canvas.

I then begin by working on large sheets of rice paper

with few colours, mostly red and a lot of ink.

Then I repeat the same movements on canvas and go back to painting much more slowly."


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